{"id":57489,"date":"2022-11-02T22:59:43","date_gmt":"2022-11-02T21:59:43","guid":{"rendered":"https:\/\/bognaburska.pl\/?post_type=dt_portfolio&p=57489"},"modified":"2024-11-18T11:34:54","modified_gmt":"2024-11-18T10:34:54","slug":"dyplom","status":"publish","type":"dt_portfolio","link":"https:\/\/bognaburska.pl\/en\/project\/dyplom\/","title":{"rendered":"diploma"},"content":{"rendered":"
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< paintings and drawings<\/a><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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diploma<\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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untitled<\/em><\/strong>,<\/p>\n

8 z serii 12 obraz\u00f3w, akryl na p\u0142\u00f3tnie, 190 \u00d7 300 cm<\/p>\n

photo: Andrzej Golc<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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The thick red streaks on the white canvas look like traces of desperate scratching on a wall with bloodied fingers. This impression is intensified by the large size of the canvas: 190 by 300 cm. A woman of medium height standing in front of it could just reach the top edge of the canvas with her hand, while if she held out her arms straight out, they would measure some 150 centimeters from fingertip to fingertip. The painting was created by repeatedly dipping both hands into paint that had the color and consistency of coagulated blood, and dragging them along the canvas, again and again, first from top to bottom, ever more energetically, in all directions. In order to reach the far edges of the canvas or to cover the entire surface of the painting while standing directly in front of it, the painter would have had to lean her body from side to side, or take a small step back or to the left or right. It would have been more difficult to reach the bottom edge, as this required crouching or kneeling or bending down low. For this reason the lower parts of the canvas show more white, while the upper parts are more densely painted. As we move from canvas to canvas, they grow increasingly dark; blood also blackens with time. There are twelve canvases. This is Bogna Burska\u2019s diploma project from the studio of Leon Tarasewicz.<\/p>\n

From the text by Anda Rottenberg Deathsong,<\/em> catalogue Blood and Sugar Bogna Burska 2000-2021<\/em>, s. 44<\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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Obrazy<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Exhibition view
\nBlood and Sugar. Bogna Burska 2000\u20132020<\/em>, Trafostacja Sztuki, Szczecin, 27 August \u2013 2 October 2020<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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seria 12 obraz\u00f3w, 2001<\/p>","protected":false},"author":1,"featured_media":57507,"template":"","dt_portfolio_category":[525],"dt_portfolio_tags":[],"class_list":["post-57489","dt_portfolio","type-dt_portfolio","status-publish","has-post-thumbnail","hentry","dt_portfolio_category-painting","dt_portfolio_category-525","description-off"],"_links":{"self":[{"href":"https:\/\/bognaburska.pl\/en\/wp-json\/wp\/v2\/dt_portfolio\/57489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bognaburska.pl\/en\/wp-json\/wp\/v2\/dt_portfolio"}],"about":[{"href":"https:\/\/bognaburska.pl\/en\/wp-json\/wp\/v2\/types\/dt_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/bognaburska.pl\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":13,"href":"https:\/\/bognaburska.pl\/en\/wp-json\/wp\/v2\/dt_portfolio\/57489\/revisions"}],"predecessor-version":[{"id":58177,"href":"https:\/\/bognaburska.pl\/en\/wp-json\/wp\/v2\/dt_portfolio\/57489\/revisions\/58177"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bognaburska.pl\/en\/wp-json\/wp\/v2\/media\/57507"}],"wp:attachment":[{"href":"https:\/\/bognaburska.pl\/en\/wp-json\/wp\/v2\/media?parent=57489"}],"wp:term":[{"taxonomy":"dt_portfolio_category","embeddable":true,"href":"https:\/\/bognaburska.pl\/en\/wp-json\/wp\/v2\/dt_portfolio_category?post=57489"},{"taxonomy":"dt_portfolio_tags","embeddable":true,"href":"https:\/\/bognaburska.pl\/en\/wp-json\/wp\/v2\/dt_portfolio_tags?post=57489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}