{"id":57793,"date":"2024-10-01T11:37:30","date_gmt":"2024-10-01T09:37:30","guid":{"rendered":"https:\/\/bognaburska.pl\/?post_type=dt_portfolio&p=57793"},"modified":"2024-11-18T12:26:45","modified_gmt":"2024-11-18T11:26:45","slug":"wiatr","status":"publish","type":"dt_portfolio","link":"https:\/\/bognaburska.pl\/en\/project\/wiatr\/","title":{"rendered":"Wind<\/i>"},"content":{"rendered":"
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< found footage films<\/a><\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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Wind<\/em><\/h3>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>
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2006\/2007
\nfound footage video
\nduration:<\/strong> 11’50”
\nfrom the series Game with Moving Mirrors – Part Two<\/em>
\ncollaboration:<\/strong> Micha\u0142 Januszaniec<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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K.W.: You used fragments of Arizona Dream<\/em> in one of your works \u2013 the scene in which the characters tell each other how they would like to die. At least, it seemed to me to be like that when I watched this film many years ago. Now, I realise that they practically all speak about the same thing: a leap into a precipice, being smashed against the rocks, dissolved in the air \u2013 in a word: about flying, as it may be dubbed, for the lack of a better word. A moment later, the character of Crouching Tiger, Hidden Dragon<\/em> tells the story about a certain rock: if someone jumps from it, their dreams will come true. He also talks about a man who jumped but was not smashed against the rocks, rather dissolved in the air instead, never to return. It is the state Buddhist monks would call
\nnirvana<\/em>.\nYou called your film Wind<\/em>.<\/p>\n

B.B.: (\u2026) The construction of the three films: Wind<\/em>, A Heart So White<\/em> and God is Vain<\/em>, is based on the juxtaposition of two symmetrical and visually similar motifs which, in spite of this, have different or even contradictory meanings \u2013 one of them pertains to making\/becoming dirty, the other \u2013 purification. The same situation applies to \u201cflying\u201d. There are two stories conjoined: a dream of flying and a dream of death by jumping. On the visual level, they were supposed to connect attempts at taking off into flight and suicidal leaps. I was curious what the difference was between them and what the outcome of joining them together would be.
\n\nAn important scene in this film is Mrs. Dalloway\u2019s monologue, when she stands in a window and ponders Septimus\u2019s suicide, having just learned that he has killed himself by jumping. Mrs. Dalloway has mused on suicide too, but Septimus\u2019s death somehow frees her from this desire. This monologue was my first inspiration. Two similar things, and the paradox they contain \u2013 whenever you try to take off, you risk your life; whenever you try to kill yourself by leaping from a high point, you are airborne for a while. The film is an attempt to search for images and what it is possible to do with them \u2013 to check where they meet, where they cleave apart \u2013 and to build something on the basis of symmetry. It is also a work about the quest for liberation, as this issue is also common to the two motifs here.<\/p>\n

excerpt from the interview conducted by Kamila Wielebska, Fatal Infatuations Will Set Us Free – A Conversation with Bogna Burska<\/em>, catalogue Films. Bogna Burska<\/em>, ed. Aleksandra Grzonkowska, published by Wyspa Art Institute, Bunkier Sztuki Gallery of Contemporary Art, BWA Zielona G\u00f3ra, and the Academy of Fine Arts in Gda\u0144sk, 2014<\/p>\n\n\t\t<\/div>\n\t<\/div>\n

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sources:<\/span><\/p>\n

Abre los Ojos<\/span><\/i> re\u017c. Alejandro Amenabar<\/span><\/p>\n

Arizona Dream<\/span><\/i> re\u017c. Emir Kusturica<\/span><\/p>\n

Babel<\/span><\/i> re\u017c. Guillermo Arriaga<\/span><\/p>\n

Batman Begins<\/span><\/i> re\u017c. Christopher Nolan<\/span><\/p>\n

Birdy<\/span><\/i> re\u017c. Alan Parker<\/span><\/p>\n

Bram Stoker\u2019s Dracula<\/span><\/i> re\u017c. Francis Ford Coppola<\/span><\/p>\n

Brokeback Mountain<\/span><\/i> re\u017c. Ang Lee<\/span><\/p>\n

Casino Royale<\/span><\/i> re\u017c. Martin Campbell<\/span><\/p>\n

Craft<\/span><\/i> re\u017c. Andrew Fleming<\/span><\/p>\n

Devil\u2019s Advocate<\/span><\/i> re\u017c. Taylor Hackford<\/span><\/p>\n

Gerry<\/span><\/i> re\u017c. Gus Van Sant<\/span><\/p>\n

Happy Together<\/span><\/i> re\u017c. Wong Kar-Wai<\/span><\/p>\n

Hudson Hawk<\/span><\/i> re\u017c. Michael Lehmann<\/span><\/p>\n

Immortel. Ad vitam, re\u017c. Enki Bilal<\/span><\/p>\n

King Arthur<\/span><\/i> re\u017c. Antoine Fuqua<\/span><\/p>\n

La Mala educacion<\/span><\/i> re\u017c. Pedro Almodovar<\/span><\/p>\n

Lolita<\/span><\/i> re\u017c. Adrian Lyne<\/span><\/p>\n

Mad Max 2: The Road Warrior<\/span><\/i> re\u017c. George Miller<\/span><\/p>\n

Matador<\/span><\/i> re\u017c. Pedro Almodovar<\/span><\/p>\n

Matrix<\/span><\/i> re\u017c. Andy Wachowski, Larry Wachowski<\/span><\/p>\n

Memoirs of a Geisha<\/span><\/i> re\u017c. Rob Marshall<\/span><\/p>\n

Mr. & Mrs. Smith<\/span><\/i> re\u017c. Doug Liman<\/span><\/p>\n

Mrs. Dalloway<\/span><\/i> re\u017c. Marleen Gorris<\/span><\/p>\n

Mulholland Dr.<\/span><\/i> re\u017c. David Lynch<\/span><\/p>\n

Nosferatu: Phanton der Nacht<\/span><\/i> re\u017c. Werner Herzog<\/span><\/p>\n

Picnic at Hanging Rock<\/span><\/i> re\u017c. Peter Weir<\/span><\/p>\n

Riders<\/span><\/i> re\u017c. Gerard Pires<\/span><\/p>\n

Scream Of Stone<\/span><\/i> re\u017c. Werner Herzog<\/span><\/p>\n

Serpico<\/span><\/i> re\u017c. Sidney Lumet<\/span><\/p>\n

Spider-Man<\/span><\/i> re\u017c. Sam Raimi<\/span><\/p>\n

Star Wars: Episode I The Phantom Menace<\/span><\/i> re\u017c. George Lucas<\/span><\/p>\n

Star Wars: Episode III Revenge of the Sith<\/span><\/i> re\u017c. George Lucas<\/span><\/p>\n

Superman Returns<\/span><\/i> re\u017c. Bryan Singer<\/span><\/p>\n

The Figitive<\/span><\/i> re\u017c. Andrew Davis<\/span><\/p>\n

The Million Dollar Hotel<\/span><\/i> re\u017c. Wim Wenders<\/span><\/p>\n

Twisted<\/span><\/i> re\u017c. Philip Kaufman<\/span><\/p>\n

Untouchables<\/span><\/i> re\u017c. Brian De Palma<\/span><\/p>\n

Wo hu zang long<\/span><\/i> re\u017c. Ang Lee<\/span><\/p>\n

Ying xiong<\/span><\/i> re\u017c. Zhang Yimou<\/span><\/p>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div>

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